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Keywords, Techno, Affective citizenship, Subcultural capital, Gender, Personification, Auto-ethnography, Recommended articles, Mentioning articles (0) 2016 Elsevier Ltd. All rights booked.

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Club music and the culture around it have actually been extremely influential to the development of 4DSOUND, and nothing more so than techno. After all, the initial advancement of 4DSOUND was laced with the opera Nikola, a 5-hour theatrical experience deeply influenced by techno as both musical form and culture. What we hear in techno music resembles what we hear when we listen to the world around us, as we move through area: techno has to do with changes of dimensions and intensities of noise.
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We started to consider what a techno night within 4DSOUND may sound and feel like, outlining what we envision an evolved clubbing experience would actually be: spatially extensive, mentally rich, and physically immersive.'4DSOUND: Techno Is Space' explored the nature of spatial types and energetic motions within techno through a series of experimental techno artist residencies.
By reinterpreting techno through spatial sound, we planned to open up brand-new scope for sonic expedition, artist efficiency and audience experience. For This Piece Covers It Well Is Space, 4DSOUND worked together with Sub, Pac. The wireless wearable Sub, Pac M1s allowed an individualized experience of bass you do not hear, but feel. The combining of spatial noise and tactile bass technology introduced a brand-new ecology of listening to the club experience a natural and dynamic sound environment, that didn't harm the ears however stayed extremely physical.